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5 Excellent Educational Recourses for Photographers

1 That Nikon Guy

Matt Granger who lives in Australia and works as a professional photographer is a very nice guy, and generous with his knowledge about gear and photography techniques. His enthusiasm for photography and commitment to making youtube video’s is infectious and is definitely worth checking out, especially some of his older video’s which include great tutorials about photography basics and flash. He has also started his own website which is worth bookmarking!

Web Site:   www.thatnikonguy.com

YouTube:   www.youtube.com/user/thatnikonguy

2 Fro Knows Photo

You’ve probably heard of Jared Polin if you are interested in photography because of his numerous video’s, and he’s hard to miss! Jared has created an excellent web site which offers free advice for beginners especially.

Web Site:   www.froknowsphoto.com

YouTube:   www.youtube.com/user/JaredPolin

3 Lightenupandshoot.com

You can’t help but stunned by the amazing photography of Michael and Andy. Their work alone provides enough inspiration, however they are also generous with their knowledge and put out some good tutorial videos. Their V-Book is definitely worth purchasing and downloading. They are also just cool guys!

Web Site:   www.lightenupandshoot.com

YouTube:   www.youtube.com/user/mikeyorange

4 Strobist.blogspot.co.uk

David Hobby is a Strobist God! Enough Said! Ok I’ll say a bit more….his web site strobist.com is like the bible of strobist photography. Literally thousands of articles on lighting with off camera flash as well as Davids’ own blog on photography assignments and how he tackled them! A simply stunning free (!) recourse. Just click on the pictures to take you to David’s Flickr site and check out his work…you can’t help but be impressed and inspired!

Web Site:   www.strobist.blogspot.co.uk 

5 Dom Bower

Another legendary YouTuber in the photographic community. He has no-nonsense approach in his video’s which are educational and entertaining. His blog is also another excellent recourse.

Web site:   www.dombower.com

YouTube:   www.youtube.com/user/Dombowerphoto

Of course there are many more excellent photographers and recourses which I have not mentioned here, which free advice and inspiration out there; so please feel free to share them in the comments section below (I might also make a part 2 to cover more soon).

22 Apr 2012

Canon EF 24-70 L F2.8 Mk1 Review

The 24-70 f2.8 is a hugely popular lens, both for it’s flexibility in focal length, reasonably fast aperture, and just it’s general all round use. With the Mark 2 recently announced and at least £1000 more expensive (!!!) I expect some photographers will be wondering if they should just stick with a Mark 1 to save a bit of cash!

I have had this lens for just over a year now so thought it was time to give my impressions. I’m not really a technical details type of guy so I will just give my general thought in layman’s terms. Read on….

The 7D rocking the Canon EF 24-70 F2.8 Mark 1

Anyone who has held an L series lens will know that they excellent build quality, but if you haven’t I would describe holding this lens feels a bit like holding a large rock! You couldn’t really squeeze it or do much to it without extreme force. I believe it’s toughened plastic on the outside and some metal  structure inside so it’s reasonably heavy, but needless to say you wouldn’t be to worried if you knocked it accidentally or it got a splash of water. As with anything in life, you get what you pay for, and in this case it’s top build quality.

The focusing performance is fast and smooth (On the Canon 7D), it is virtually silent and has internal focusing so there’s not surprise projections or whizzing like some cheaper lenses. Obviously the 7D’s focusing system is well known as being excellent and the focusing performance of the body will likely slightly affect how the lens performs, so older enthusiast bodies might be a tad slower – but there is no doubt it is world apart from any kit/cheaper lens. Also with a constant and bright f2.8 throughout the zoom it keeps the viewfinder bright and lets in a good amount of light for the focusing system, so it’s good when shooting in dimmer conditions.

Julie Zarah Singing in the Studio

This image was shot in near dark conditions, it was a small 4x4ft recording booth, we had to turn the only light off that was in there (a domestic uplighter) because there was a bit of spill/ambient type light we didn't want. The focus performance in near dark conditions was excellent (but no perfect).

Ok, so it’s no real surprise that it’s built well, and focuses well, the main concern is obviously IMAGE QUALITY!

Is it good, great, or gorgeous? I would say it is great most of the time and gorgeous with the great light!

As with most photography, no matter what lens your using it depends on the light and what you are photographing, but you need a good lens to capture that light in a pleasing way….and as you might expect the glass in this lens is just amazing. While I don’t have say a 50mm or 85mm 1.2 to compare it against I would say that overall it delivers on sharpness throughout the range, excellent colour rendition (and skin tones), nice contrast, and lovely bokeh.

Shot using a Westcott 50mm Apollo, on a black background. The 50in Apollo does produce some great light, and as you can see the lens has done superbly with colours, sharpness and contrast.

The focus ring is smooth and accurate when focusing manually, and the zoom spacing (between focal lengths) is fairly even from 24-70, but it does kind of click into place at the end of the focal range, so it’s not that great for zooming manually while recording video. Obviously it also does not have IS, so you really need use a tripod if your going to shoot video with it, and probably get some follow focus adapters, because manually focusing the lens doesn’t alway look that smooth or professional. But needless to say it can produce some lovely results when shooting HD video.

An overcast but bright day after some snow...I think the lens just shines in these conditions, showing excellent colours and giving subtle contrast which gives a nice depth (note: low res image so looks a tad soft after upload).

I had heard of some back focusing issues with this lens which I saw when doing my research, buy I can say that mine has been spot on with no problems of any kind. To be honest I feel most lenses will be fine and as with any product that is sold in vast numbers there will be batches which are not quite 100%. If you did have problems with focusing, the 7D and recent EOS cameras have an option to bet able to micro adjust the focus if you think you have a problem. Although I appreciate people should get a perfect lens from new, but if it is a few years old and you had this issue and didn’t want to pay for a service with Canon, it is good to know you have the in camera option available.

It really is hard to say anything bad about the lens. It is a consistent performer, and definitely a ‘money maker’/ ‘workhorse’, something you can rely on to deliver the goods which you and your client’s want to see! It looks good, is built to last and will hardly ever let you down. The new lens has a couple of new elements an extra aperture blade (now 9) new coatings, is 150g lighter.

I have to be honest….I really can’t see why anyone would pay over £1000 more for the new lens, that said I have not tried the new lens, it might blow this out of the water, and I totally understand that Canon need to update this model….but with the Mark 1 you really cannot go wrong!

Canon EF 24-70 F2.8 Video

24 Mar 2012

Right Place, Right Time!

I have been thinking recently about how amazing it is that some of my favourite images were captured just because I got out there and took my camera with me! It sounds obvious, but you really do not have a chance of capturing something special if your not out there and ready to take a photo.

It’s a little mind boggling how some of the pictures I have capture moments that I could not recreate and are unlikely to ever happen again, and looking back on some of these moments I think…….”wow”, what if I had never taken that, what if I had never got out of the car and been there! It’s sometimes easy to under estimate how unique and special a photograph is!

One recent example is when I took a photo at a frozen lake and three elements within that photo came together that I would not have got at any other time….(1) the evening light, (2) frozen lake, (3) a Heron flying into the shot in line with a gap in the reeds…

Frozen Lake

It's amazing how things come together sometimes!

Candid portraits can capture special one off moments in peoples lives, an emotion they felt which has long since past but is frozen in time within your photo. These people are unlikely to ever feel the exact same way again., at the same place or at the same point in time again! A moment of over whelming emotion, a turning point in their lives…

Egyptian Victory March in London

Egyptian Victory March, Trafalgar Square - London

Often you only realise what you captured after you have taken the shot. In the image below all I was thinking about at the time of taking the photo was framing the lady in the doorway…I don’t remember having any other goal other than that; but behold by the strange forces of the universe it happened that it was an old (well presented) lady looking and striking a pose a tiny bit like the Queen, on Queen Street, juxtaposed with a really run down building in stark contrast to where you would expect to see the Queen!!! Amazing!

An old lady looking like the Queen, on Queen Street

It's amazing what the camera captures sometimes which has hidden meaning in the context of our lives.

I must concede that images like the one above only have context from a certain number of people who know of the Queen and can see the juxtaposition. Some people will just see an image of an old lady and a run down building, so it’s unlikely to mean anything to many people, therefore  I would not describe this type of moment as a ‘universal’ to which all humans could relate.

So that’s it, not much more to say! Get out there and try and capture some of those one of moments yourselves! One off moments of our beautiful planet and the universe, and funny juxtapositions that have hidden meanings and can make you smile. Take as many pictures of your kids friends and family as you can because they will never be the same again! Don’t under estimate what photo’s mean to you and everyone else. You might look back on a photo which has no meaning today, but in 10 years will mean everything to you!

Subtle sunset

Amazing light and lovely shape and texture in the clouds all came together when I was hanging out with a friend while he was fishing! It brings it all back to me just looking at this image, and it was snapped on an iPhone 3Gs!

 

18 Feb 2012

What do Couples Want With Wedding Photography?

I class myself as a part time photographer. I obtain jobs most often by word of mouth through friends and family, or people I know at work. Before I begin I must acknowledge that I don’t run my own business and I do not class myself as a full time photographer that does the job day in day out for a living.

Due to the above, some people might say that in a way I am in direct competition and affecting professionals amount of work (that full debate is for another day!); however the more weddings I shoot and more couples I meet I realise that the reason they might actually prefer to choose me is because of the service and the product I can offer; and it is not really related to the slight reduction in cost.

I went to see a couple yesterday about shooting a wedding in May. They were a lovely couple, really looking forward to their wedding, they had a photographer booked over six months in advance, but unfortunately he was no longer able to do it. I understand they looked around some other photographers, and they advised me of an experience when they entered a local photographers shop (nice; a lot of photographers dream about having their own shop), however from what I understand the photographer more or less just said as the first thing “What Coverage do you want”. Don’t get me wrong this is a sensible and obvious question, however as an introduction the couple explained that this felt a bit bullish because they didn’t really know exactly what they wanted, nor what service the photographer could offer!

I know there are amazing photographers who are fantastic with people and I don’t imagine they would approach a potential new client in this manner. Considering the type of money they are possibly going to spend with a full time photographer, and the kind of relationship they are going to have to have; a better start would be to ask; where they are getting married, what their names, of, where they live, what’s the wedding day. If you just shove a product list in front of a couple (who have not been married before) this might just feel a bit inpersonal to them.

Confetti Throwing

Adie & Heather enjoy a walk down a confetti isle in the sunshine.

Every wedding is different! They might have similar structures, but you have to understand that the couple needs someone who is going to be interested in them and their day, and be reliable, honest and trustworthy with. Failing to make that first impression and recognise that this is the biggest event of their lives could be the start of a downward spiral.

After the first impression ‘the end product‘ is most likely going to be the next enquiry (i.e. what do you offer and at what price)! Obviously this includes a lot of things, from the time you are going to spend there on the day, and what roughly how many images they can expect to see. While a certain degree of specifics can be applied here I feel the answer should not be to restrictive (i.e. you’ll get this print and this amount of hours, and that’s all).

I still know and hear of a number of photographers that work of selling prints. They charge for their service to attend, then provide a proof book, or disc and ask the couple to pay for prints, or may charge for photobook with say 30-50 images.

I understand that this is where my lack of business knowledge might come in, I recognise that to make money you have to hang on to the valuable thing (the pictures of course) and use them to create a continued stream of income when people want prints or another book etc. However my gut feeling is telling me that this method is becoming very out dated. Couples can feel restricted and suffocated my this, and quite a few have told me so. Wedding photo’s are reviewed many times over the years after the wedding. Couples move houses, want different images for different things at different times, and not having the power to do what they want with the images can be and feel severely restrictive for them.

Bridesmaid

Zara. The bride's nice.

I once went to a friends wedding, it was amazing, the biggest wedding I have been to. I understood the photographer charged £500 just to attend. He then provided a large book full of a couple of hundred proof images (images just a few centimeters at their longest edge). It was then down to the couple to choose what they wanted for a book (which was £1500 btw!!), or individual prints. I understand they didn’t place any orders!!!!!

In contrast the wedding I shot for a friend I did as a gift and obviously gave them the digital files to do with as they wished. It took them a while to sift through and find the ones they liked (they have two kids), but eventually they made themselves two albums and a number of prints which are framed and on their shelves.

I believe the lesson to learn here is that most couples want (or maybe NEED) to have control of the images to make the most of them in their own way. It was their day, they put all the hard work into sourcing venue’s, having the dresses made, hiring suits, sending invites, hiring you. A photographer has to work quite hard as well of course – but they are capturing what the couple have created and photographers that hang on and severely restrict access to the images are in my view holding the couples day to ransom (in a non literal way!).

I must say that many pro photographers now offer the couple the option to buy a disc with the digital files on which is great. I am not saying photographers don’t understand these issues, but clearly there are still people out there who may be creating a bit of stigma for wedding photographers in general.

In the interests of fairness, I must put myself on the line and say what I offer:

  • I attend from whenever the couples want me (at the brides house or at the church), they have me for the whole day;
  • I provide a copy of the digital images on disc and also upload them to a photo printing web site so the link can be forwarded to family and friends for easy ordering of images from they day; and
  • I provide a Photobook of around 25/30 images and usually a slideshow with music (if it is going to work) to show family and friends etc.
  • I edit all of the top selection of images and then offer a flexible editing service to edit any image how the couples would like (for probably about a year afterwards they can come back to me for different edits, cropping or whatever on any file).

I appreciate this might seem like a lot to give away for a full time pro, however the look of relief on couples faces when they know they are going to have control of the images after your gone is clear! Also it breaks the ice, and a couple seems to gain more trust in you when they know they will actually own the memories from their own wedding.

One more thing I would add, is that visiting the venue’s and meeting couples at their homes is also a significant part of them being sure about you as a person. They can get an impression of your passion for the job, being sure that they want to shoot their wedding, and visiting the venue’s and reassuring the couple that their venue’s are going to great for pictures and they also know you know where they are! Any personalisation you can offer like this I believe helps build trust and commitment with each other, which can then hopefully lead to better pictures on the day.

I totally understand that full time pro’s have their own way of working, and have to earn a living. My service may be different, and can be different due to the way I live my life. However I feel that some pro photographers could easily open themselves up to providing a more personal service, and flexible products, and overal could actually gain a better reputation and earn more money; instead of thinking they have to be a little cagy and restrictive with their images in order to get the maximum value out of their service.

Weddings are a job where the personal touch matters and the money involved is often secondary.

Andy.

 

15 Jan 2012

2012 – A Quote and a Picture to live by…?

‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light not our darkness that most frightens us. Your playing small does not serve the world. There is nothing enlightening about shrinking so others will not feel insecure around you. We were all meant to shine as children do. It is not just in some of us, it’s in all of us. As we let our own light shine we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.’   -unknown

I know this quote is from a film, but unfortunately I don’t know which one. I heard it on Above & Beyonds Essential mix (2nd July 2011). I feel it relates a lot to me and whyI may not have grown in confidence, knowledge and as a person in general in 2011 as I should have done. I want to try and liberate myself this year, grow not shrink and shine as often as possible!

Happy New Year everyone.

Wheatfield in Bedfordshire

I can still remember the excitement of taking this photo when I was first getting into photography. It is not perfectly sharp, but it reminds me of the reason I was attracted to photography as means of enriching my life, and I need to rediscover that this year.

(ps. If you know what film it is, let me know! Thanks.)

1 Jan 2012

Composition and Me

Hello one and all!

A short while ago a YouTube viewer posted a comment on on of my videos which said “I think you have to improve the composition a little bit!“. Since that comment I haven’t stopped thinking about it!. Because he was right!

The pictures I posted on the video (http://www.youtube.com/watch?v=VYiy4TORdZw) have some issues…I have to accept and confront this because it may have become a major weakness which I need to acknowledge and address!

The images on the video are from my best friends wedding…he asked me to do the photography and I said yes! Maybe it wasn’t the best idea in hindsight because I was dressed in a 3 piece suit, in the middle of summer running around taking pics as well as trying to socialise a bit and be part usher as well, and this may have affected the quality of my images (but that’s a story is for another post). But it doesn’t excuse the compositional mistakes!

I have had a look back over a lot of all my photo’s and I would say that maybe I am not happy the composition of up to 60/70% of them! Eeeek! That does not sound like a good thing to say about your own work. Does it?

Shoddy Snap from my iPhone

A quick snap with my iPhone where the composition could have been a lot better!

I feel I have to accept that I haven’t given enough emphasis to composition. Being honest with myself I would say primarily my eye is drawn to colours, interesting light, detail, or just capturing a fleeting moment as quickly as possible. While this results in some interesting shots, it might be why my pictures are not really at that ‘next level’. Often I may just have aimed my camera and shot what I see in front of me without giving enough thought to how I am going to shoot the scene.

Also at lot of my focus is on exposure at the moment- especially since I shoot on Manually about 90% of the time these days (which can take quite a bit of concentration). But I will give myself some credit, I think I  would notice if there was something sticking out of someones head, and I try to use appropriate lenses and apertures etc, and if the picture didn’t have a ‘balance’ and attraction of some sort I would reject it. But…..that final magical element of any image is a natural composition; when you cannot imagine an image composed any other way and it just sort of sings to you (perfectly in tune), and I don’t think I always have it…….SO I NEED TO ADDRESS THIS and increase the number of great compositions in my portfolio!

The purpose of this post is to discuss the issue a little and try to develop an understanding and automatic awareness in my head so that composing images better will become be an equal partner in my photography along side exposure, lens choices and lighting amongst other things (Geeze, there really is a lot that goes into a photo when you think about it!)

As we probably all know, there are no fixed rules to composition, photography is an art after all. It’s personal preference as to whether you like an image or not. However we probably also know of the accepted guidelines which one may apply to draw attention to your subject, such as; The Rule of Thirds, Lead In Lines/View Points, Symmetry, Ensuring a clean/non-distracting Backgrounds on portraits, Not cutting limbs of your subjects, Not leaving unexplained ‘dead space’ etc etc.

Having considering my own approach I feel the following 3 area’s are a base for creating a better composed photograph (and maybe one or two might apply to you too?):

  1. Pre-visualisation. Give yourself an extra second (or a lot longer) before you put the camera to your eye . Often the best images are ones that have a little pre-planning before you press the shutter button, even if it is just a second or two.
  2. Assess the image more critically. Be willing to change angles, lenses, arrangement of the subject. Just like you would assess the exposure if your highlights were burned out, or you needed a different aperture or shutter speed. The image taken initially may not be the strongest possible.
  3. Recognise when the composition is weak in an image and learn from the mistakes. Also try not to produce weak images as your final work/product as showing many weakly composed images can give a body of work less emphasis and reduce quality (especially with the wedding pictures you show).
Andy jump

The composition is all over the place on this one! It really annoys the hell out of me!

Pre-visualisation is not always easy. I think everyone pre-visualises any photo taken, it’s impossible not to if you decide you want to take a photo of something. However it is obviously done subconsciously (i.e. “oh that’s a pretty flower”…[points camera and snap]) and without really any constructive thoughts about what you want to capture and why.
While sometimes the composition of wedding photo’s or reportage type photo’s can be a little outside of your control, you still need to ask yourself some questions before you shoot. Some examples might be; Am I shooing at the right angle? Is the Background or people in the shot relevant or necessary? Should I be anticipating a peak moment? What exactly do I want to achieve here (in the look and the content and overall message)? The question my not be that specific in your mind, however I feel it should be a general ‘answer’ and clear vision that pops into your mind before you try and make the shot.
Landscape photography should seem like a walk in the park (literally) when it comes to pre-visualisation, often you can scout a good location and composition in advance and then visit numerous times waiting for the best light. But if you live in the middle of England or any country like me then you may not know a location that well when you visit and rush a little to find a good spot and make the most of any good light you have. However you still need to remember to tell yourself to slow down. I often find the excitement of finding a great landscape with great light can lead me to rush a little and maybe not consider all elements together in order to make the strongest picture possible.
Portrait photography most likely but experience seems to be the key here. Knowing what lens to use, the best lighting, the best angles and essentially having a good connection with the subject often leads to the most natural or professional looking images. I learned some great practical lessons from Mikey and Andy’s Lightenupandshoot V Book (www.lightenupandshoot.com). Just one of their suggestions which I try to apply is to ensure peoples heads are always in a ‘clean spot’, so there are no intersecting lines going through their head. (Check it out.)
One of my self portraits which I think works quite well having pre-visualised using the angle of the steps and a small apature to keep a large depth of field; and ensure the texture of the steps were tack sharp. Although the yellow painted step cuts through (whoops) my head, the diagonals in the image seem to create a strong composition which leads you in and keeps you there.

 

Ok, Assessing and Criticising….! I criticise and dissect most aspects of my photo’s, and often more and more the older they get. Maybe that  is a good thing, but my own personality dictates that I put myself down a bit.

Photography web sites seem like a good starting point for critiques, and they are in the sense that your work can get seen and you can compare yourself to other photographers work. However it cannot take a long time to become established on Flickr and similar sites (I’m aware of some sites where you can pay for critique’s but I didn’t feel this felt right for me). My best experience was when I attended a photography course at my local adult learning centre; you got to show 3 of your photo’s that you had taken that week, the the teacher began a discussion between the rest fo the class, and considered if it met the weekly theme and ‘how good it was’. This type of face to face feedback is useful. Often online comments are only positive and it is hard to really discuss a photo. I also did a couple of darkroom courses when still shooting film and these worked in a similar way, and you might even meet a few photo-friends to hang out with occasionally! There are also Photograph Clubs, workshops and hundreds of other ways to get feedback, but generally I feel face to face discussion with like minded people is the most useful for constructive feedback.

However I feel self assessment is the key foundation to knowing if you have a ‘special picture’. Often new photographers are so happy to get a nice sharp shot, or a nice blue sky that they think is a ‘lovely’ picture and should show it to everyone, which it might well be; but if your aiming to make your images more professional level you need to be able to say; hang on “this is average”, “boring”, “it’s not good enough to show my client” I should have got down lower, rearranged the scene to make it stronger. You have to be able to identify when your work is not to the standard that you are striving to achieve. I order to know this you need to view other professionals work, read about and acknowledge common errors you might be making – be it top wedding photographers or landscape artists. Not even professionals get it right first time every time, criticising and assessing while on the shoot is probably the most powerful tool – it can be gutting to get home and realise you never really nailed the shot you were after! Digital photography has obviously made this more possible.

Ok……one more little part to go, I’ll try and keep this short.

Little Ladies Shoot

A family photoshoot resulted in the mum getting down this cool horse which the girls immediately jumped on and pretended to ride! It created some great shots and also the composition just fell into place by placing the horse a slight angle. The three heads in the frame also make it visually appealing (even number of people/things often look messy if they don't have symmetry or are not properly organised).

Recognise! I suppose instead of the word ‘recognise’ I should have used the word ‘Educate’? Once you have assessed an image and know it’s not as good as it could be you should research what might have gone wrong and how you could have improved, or taken the image differently. Read books, look at other blogs etc. Educating yourself to know when and how you can change something to improve an image. There is no much more to say on this I don’t think.

I had to write this blog in order to address the seed that had been planted by the astute YouTube viewer and thank him. Hopefully I will think back to to this post when next taking pictures and will give a more equal split between all the elements of photography.

I hope this blog might also assist some other photographers out there if it is an area of your photography you need to re-assess or are just learning about.

Thanks for reading. Andy Booth

11 Dec 2011

Landscape Photography (for the soul?)

Hello, and welcome to my first official post for SaturnPhotography.co.uk!

I have had a pretty lazy last few weekends, which I’m not entirely proud of. I think the change in seasons from summer to winter has hit me pretty hard this year, especially when it comes to photography. I’m not sure why, but the last few years it seems to have taken me a bit more time to get used to the transition between Autumn to Winter, mainly due to the quite significant changes in the amount of light, and the random temperatures (mild, to freezing cold, then t-shirt weather on a Sunday Morning!).

I am lucky enough (currently) to have a commission to photograph area’s in my home town. I live in Milton Keynes, and if you have ever visited you will know that while it is quite a well organised and functional town, but it can lack that ‘wow’ factor, and culture. A lot of the locations I have to shoot are man made lakes, or housing estates. I’m not complaining, it is a good challenge and will test my persistence and creativity, but I have hit a bit of brick wall after shooting for a couple of months. So I need to rediscover and remember what landscape photography is all about and what it means to me!

Personally I feel there is nothing like the sort of ‘spiritual’ experience you can have while on a dramatic coast line at sunrise or sunset being blasted by the sea air, or walking across an isolated country filed while a storm is approaching and amazing light changing every second.

I need to remember why I go trekking with 20kg of gear in a rucksack endlessly waiting for that magical scene to appear. It is because landscape photography in whatever location can connect you to your surroundings, take you on an adventure, and be extremely exciting when you are the only person around one watching a scene unfold with magical light, or when a set of elements come together to create an interesting composition that might never occur again.

If you love amazing landscapes and go in search of them yourselves, I’m sure you will agree that the reason you do it is not 100% for the picture (although that is a nice momento of your trip), but more importantly to explore, to find yourself and to feed the soul with the magic of the world around, and to make you realise that to be alive is a privilege we all should treasure.

Winter in Yorkshire

I will find my photography soul again!

 

27 Nov 2011